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Bronze is an alloy of copper with other metals that modify its hardness, color, and ability to be cast into a detailed mold. When bronze is cast it is usually a gold color. After the casting and finishing is completed, the surface is often treated with chemicals and heat which patinates the metal, coloring it green, brown, black, or a combination of the colors. Foundries usually apply waxes or other coatings to the surface of a patinated outdoor bronze to protect it from pollutants. This wax may wear off in time. We recommend annual maintenance by a professional conservator. The surface of the sculpture may be washed to remove pollutants and dirt, and waxed. If done annually, the rate of corrosion will be retarded (though not totally eliminated), and disfiguring rain streaks will be minimized. I collect twentieth-century furniture. How can I best preserve it? Some twentieth-century furniture was created from non-traditional materials, such as foam, plastic, and cardboard.

How can I protect my works on paper from light damage? Even though your artwork may be framed under UV filtering acrylic sheeting, the intensity of the light and duration of exposure is a concern. Try to avoid direct and excessive daylight. Close window curtains or drape the artwork when possible. Windows can also be covered with a film or a screen that will lower light intensity and ultraviolet rays. If possible take down the artwork periodically and exchange it with another piece, allowing the work to "rest" in storage. The most light-sensitive materials include watercolors and gouache, modern color inks, pastels, newsprint and all color papers. It is important to remember that light damage is cumulative and irreversible.. My solid wood sculpture is cracking in the vertical direction. What can I do?Q. I have an outdoor bronze sculpture. How should I take care of it?

Who am I? I am an Estonian too, my name is Jüri Ülesoo. On the photo you see me with my dog Josper. I''m not really the artist but I like art. Some years ago I made some oil paintings but not now. I''ll try to be the curator for some Estonian artists on the Internet and here you see my first step - Navitrolla''s Gallery (thanks to Lile Elam and Art on the Net). The problem is that few Estonian artists have computers, good communication connection and time to learn and use it. I want to show their works to the whole world and the Internet is the best tool for it. Until the artist has his (her) own Internet connection and e:mail address I will be mediator for him. So, you can e:mail your opinions to me and I will give them to the artists. During the "day" I work as a Marketing Manager in the Estonian, Latvian and Lithuanian area for Finnish concern VALMET (for Valmet Automation - producer of process automation systems). I am a member of Lions Clubs International.

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